General Bibliography for Shakespeare’s The Taming of the Shrew and Fletcher’s A Woman’s Prize or The Tamer Tamed

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BIBLIOGRAPHY AND REFERENCE

Berman, Ronald. A Reader’s Guide to Shakespeare’s Plays: A Discursive Bibliography. Chicago: Scott, Foresman, 1965.

Bevington, David M., ed. Shakespeare. The Goldentree Bibliographies. Arlington Heights, Ill : AHM Pub. Corp., 1978.

Bullough, Geoffrey, ed. Narrative and Dramatic Sources of Shakespeare, Vol VII. London and Henley: Routledge and Kegan Paul; New York: Columbia University Press, 1978.

Champion, Larry S. The Essential Shakespeare: An Annotated Bibliography of Major Modern Studies. Boston, Mass.: G.K. Hall, 1986.

Ebisch, Walther. A Shakespeare Bibliography. Oxford: The Clarendon Press, 1931; rptd. B. Blom, 1968.

Ebisch, Walther. Supplement for the Years 1930-1935, to A Shakespeare Bibliography. New York: B. Blom, 1964.

Granville-Barker, Harley, and G. B. Harrison eds. A Companion to Shakespeare Studies.New York: The Macmillan Company; Cambridge: Cambridge University Press 1934.

Guttman, Selma. The Foreign Sources of Shakespeare’s Works; An Annotated Bibliography of the Commentary Written on this Subject Between 1904 and 1940, Together with Lists of Certain Translations Available to Shakespeare. New York, Octagon Books, 1947; rptd.1968.

Howard-Hill, T. H. Shakespearian Bibliography and Textual Criticism: A Bibliography. Oxford: Clarendon Press, 1971.

McManaway, James Gilmer. A Selective Bibliography of Shakespeare: Editions, Textual Studies, Commentary. Charlottesville: Published for the Folger Shakespeare Library by University Press of Virginia, 1975.

Muir, Kenneth, and S. Schoenbaum, eds. A New Companion to Shakespeare Studies. Cambridge: Cambridge University Press, 1971.

Rosenblum, Joseph. Shakespeare: An Annotated Bibliography. Pasadena, Calif.: Salem Press, 1992.

Rothwell, Kenneth S. and Annabelle Henkin Melzer. Shakespeare on Screen: An International Filmography and Videography. New York, NY: Neal-Schuman, 1990.

Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare’s Plays and Poetry, from the First Published Appraisals to Current Evaluations. Detroit, Mich.: Gale Research Co., 1984.

Smith, Gordon Ross. A Classified Shakespeare Bibliography, 1936-1958. University Park: Pennyslvania State University Press, 1963.

Wells, Stanley, and Gary Taylor. William Shakespeare: A Textual Companion . Oxford: Clarendon Press; New York: Oxford University Press, 1987.

Wilson, John Dover. The Essential Shakespeare: A Bibliographical Adventure. Cambridge: Cambridge University Press, 1932.

Woodbridge, Linda. Shakespeare, A Selective Bibliography of Modern Criticism. West Cornwall, CT: Locust Hill Press, 1988.


GENERAL WORKS ON ELIZABETHAN STAGECRAFT

Bates, Jonathan, and Russell Jackson, eds. Shakespeare: An Illustrated Stage History. New York: Oxford University Press, 1996.

Boas, Frederick S. University Drama in the Tudor Age. Oxford: The Clarendon Press, 1914.

Bradbrook, M.C. Elizabethan Stage Conditions: A Study of Their Place in the Interpretation of Shakespeare’s Plays. Hamden, CT: Archon Books, 1962.

Bradbrook, M.C. The Living Monument: Shakespeare and the Theatre of His Time. Cambridge; New York: Cambridge University Press, 1976; rptd. 1979.

Chambers, E.K. The Elizabethan Stage. 4 Volumes. Oxford: The Clarendon Press, 1923.

Craik, W.T. The Tudor Interlude: Stage, Costume, and Acting. Leicester: University Press, 1958.

Dessen, Alan. Elizabethan Drama and the Viewer’s Eye. Chapel Hill: University of North Carolina Press, 1977; rpt. 1979.

Dessen, Alan. Elizabethan Stage Conventions and Modern Interpreters. Cambridge; New York: Cambridge University Press, 1984.

Galloway, David, ed. The Elizabethan Theatre III: Papers Presented at the Third International Conference on Elizabethan Theatre, 1970, University of Waterloo. Hamden, CT: Archon Books, 1973.

Griffin, Alice S.V. Pageantry on the Shakespearean Stage. New York: Twayne, 1951.

Gurr, Andrew. The Shakespearean Stage, 1574-1642. Cambridge: University Press, 1970.

Hillebrand, Harold Newcomb. The Child Actors: A Chapter in Elizabethan Stage History. New York: Russell and Russell, 1926; rptd. 1964.

Lawrence, William John. The Elizabethan Playhouse and Other Studies. 2 Volumes. New York: Russell and Russell, 1912-1913; rptd. 1963.

Lawrence, William John. Pre-Restoration Stage Studies. Cambridge: Harvard University Press, 1927.

Speaight, Robert. William Poel and the Elizabethan Revival. London: Heinemann, 1954.


TEXT AND SOURCE STUDIES:

Abate, Corinne S. “Neither a Tamer Nor a Shrew Be: A Defense of Petruchio and Katherine,” Privacy, Domesticity, and Women in Early Modern England. Eds. Corinne S. Abate and Mazzola, Elizabeth. Aldershot, England: Ashgate, 2003. 31-44.

Alexander, Peter. “The Original Ending of The Taming of the Shrew.” Shakespeare Quarterly, Vol. 20, No. 2. (Spring, 1969): 111-116.  Available at JSTOR; click here

Appleton, W.W. Beaumont and Fletcher, a Critical Study. London: George Allen and Unwin, Ltd., 1956.

Baumlin, Tita French. “Petruchio the Sophist and Language as Creation in The Taming of the Shrew.” Studies in English Literature Vol. 29, No. 2 (1989): 237- 57.  Available at JSTOR; click here

Bean, John C. “Comic Structure and the Humanizing of Kate in The Taming of the Shrew.” The Woman’s Part: Feminist Criticism of Shakespeare. Ed. Carolyn Ruth Swift Lenz, Gayle Greene, and Carol Thomas Neely. Urbana: U. of Illinois Press, 1980. 65-78.

Berek, Peter. “Text, Gender, and Genre in The Taming of the Shrew.” “Bad” Shakespeare: Revaluations of the Shakespeare Canon. Ed. Maurice Charney. London and Toronto: Associated University Presses, 1988. 91-104.

Boose, Lynda E. “Scolding Brides and Bridling Scolds: Taming the Woman’s Unruly Member.” Shakespeare Quarterly, Vol. 42, No. 2 (1991): 179-213.  Available at JSTOR; click here

Boose, Lynda E. “The Taming of the Shrew, Good Husbandry, and Enclosure.” Shakespeare Reread: The Texts in New Contexts. Ed. Russ McDonald. Ithaca: Cornell, 1994. 193-225.

Bradbrook, M.C. “Dramatic Role as Social Image: A Study of The Taming of the Shrew.” Shakespeare Jahrbuch 94 (1958): 132-50.

Brown, Carolyn E. “Bianca and Petruchio: ‘The Veriest Shrew[s] of All’.” Re-Visions of Shakespeare: Essays in Honor of Robert Ornstein. Ed. Evelyn Gajowski. Newark, DE: U of Delaware P, 2004. 35-56.

Brunvand, Jan Harold. “The Folktale Origin of The Taming of the Shrew.” Shakespeare Quarterly, Vol. 17, No. 4. (Autumn, 1966): 345-359.  Available at JSTOR; click here

Burns, Margie. “The Ending of The Shrew.” Shakespeare Studies 18 (1986): 41-64.

Burt, Richard A. “Charisma, Coercion, and Comic Form in The Taming of the Shrew.” Criticism Vol. 26, No. 4 (1984): 295-311.

Clark, Sandra. “The Taming of the Shrew and Popular Culture.” Shakespeare Newsletter, Spring 2003 v53 i1 p3(2). Available at InfoTrac

Cohen, Ralph. “Looking for Cousin Ferdinand: The Value of F1 Stage Directions for a Production of The Taming of a Shrew.” Textual Formations and Reformations. Laurie E. Maguire and, Thomas L. Berger, eds. Newark, DE: U of Delaware P, 1998. 264-280.

Daniel, David. “The Good Marriage of Katherine and Petruchio.” Shakespeare Survey 37 (1984): 23-31

Dash, Irene G. Wooing, Wedding and Power: Women in Shakespeare’s Plays. New York: Columbia UP, 1981.

Detmer, Emily. “Civilizing Subordination: Domestic Violence and The Taming of the Shrew. Shakespeare Quarterly, Vol. 48, No. 3. (Autumn, 1997): 273-294.  Available at JSTOR; click here

Dusinberre, Juliet. “The Taming of the Shrew: Women, Acting, and Power.” Studies in the Literary Imagination 26 (1993): 67-84.

Duthie, G. I. “The Taming of a Shrew and The Taming of the Shrew.” The Review of English Studies, Vol. 19, No. 76. (Oct., 1943): 337-356.  Available at JSTOR; click here

Ferguson, George B. The Woman’s Prize or The Tamer Tamed: A Critical Edition. The Hague: Mouton, 1966.

Fineman, Joel. “The Turn of the Shrew.” Shakespeare and the Question of Theory. Ed. Patricia Parker and Geoffrey Hartman. New York: Methuen, 1985. 138-59.

Friedman, Michael D. “The Feminist as Shrew in 10 Things I Hate about You.” Shakespeare Bulletin: A Journal of Performance Criticism and Scholarship, Vol. 22, No. 2 (Summer 2004): 45-65. Available through InfoTrac.

Garner, Shirley Nelson. “The Taming of the Shrew: Inside or Outside the Joke?” “Bad” Shakespeare: Revaluations of the Shakespeare Canon. Ed. Maurice Charney. London and Toronto: Associated University Presses, 1988. 105-19.  Goldschmidt, Lucien, Robert F. Fleissner, Thomas A. Pendleton and Barbara Hodgdon. “The Taming of the Shrew, by Shakespeare and Others” (in Forum). PMLA, Vol. 108, No. 1. (Jan., 1993): 151-154.  Available at JSTOR; click here

Gray, H.D. ” The Taming of the Shrew.” Philological Quarterly 20 (1941): ??

Greenfield, Thelma. “The Transformation of Christopher Sly.” Philological Quarterly 33 (1954): 34-42.

Haring-Smith, Tori. From Farce to Metadrama: A Stage History of “The Taming of the Shrew,” 1594=1983. Westport, CT: Greenwood Press, 1985.

Hazlitt, William. “The Taming of the Shrew” in Characters of Shakespeare’s Plays London : Oxford University Press, 1934. Pages?

Heilman, R.B. “The Taming Untamed, or, the Return of the Shrew.” Modern Language Quarterly 27 (1966): 147-61.

Hibbard, George. “The Taming of the Shrew: A Social Comedy.” Shakespearean Essays. Ed. Alwin Thayer and Norman Sanders. Tennessee Studies in Literature Special Number 2. Knoxville: University of Tennessee Press, 1964. 15-28.

Hodgdon, Barbara. “Katherina Bound;or, Play(K)ating the Strictures of Everyday Life.” PMLA Vol. 107, No. 3 (1992): 538-53.  Available at JSTOR; click here

Holderness, Graham, and Bryan Loughrey. A Pleasant Conceited Historie, Called The Taming of a Shrew. Lanham, MD: Barnes and Noble, 1992.

Hosley, Richard. “Sources and Analogues of The Taming of the Shrew. Huntington Library Quarterly 27 (1964): ??

Hosley, Richard. “Was There a ‘Dramatic Epilogue’ to The Taming of the Shrew?” Studies in English Literature, 1500-1900, Vol. 1, No. 2, Elizabethan and Jacobean Drama. (Spring, 1961): 17-34.  Available at JSTOR; click here

Jardine, Lisa. Still Harping on Daughters: Women and Drama in the Age of Shakespeare. Sussex: Harvester, 1983.

Houk, Raymond A. “Shakespeare’s Shrew and Greene’s Orlando.” PMLA, Vol. 62, No. 3. (Sep., 1947): 657-671.  Available at JSTOR; click here

Kahn, Coppelia. Man’s Estate: Masculine Identity in Shakespeare. Berkeley: University of California Press, 1981.

Maguire, Laurie E. “‘Household Kates’: Chez Petruchio, Percy, and Plantagenet.” Gloriana’s Face: Women, Public and Private in the English Renaissance. Ed. S.P. Cerasano and Marion Wynne-Davies. Detroit: Wayne State University Press, 1992. 129-65.

Marcus, Lean. “The Shakespearean Editor as Shrew-Tamer.” English Literary Renaissance Volume 22, No. 2 (1992): 177-200.

Martin, Randall. “Kates for the Table and Kates of the Mind: A Social Metaphor in The Taming of the Shrew.” English Studies in Canada Volume XVII, No. 1 (1991): 1-20.

Maurer, Margaret. “Constering Bianca: The Taming of the Shrew and <=”” tamer=”” the=”” or=”” prize,=”” woman’s=””>Medieval and Renaissance Drama in England: An Annual Gathering of Research, Criticism and Reviews, 14 (2001): 186-206.

Maxwell, Baldwin. “The Woman’s Prize, or the Tamer Tamed.” Modern Philology, Vol. 32, No. 4. (May, 1935): 353-363.  Available at JSTOR; click here

Mikesell, Margaret Lael. “‘Love Wrought These Miracles’: Marriage and Genre in The Taming of the Shrew.” Renaissance Drama new series 20 (1989): 141-167.

Miller, Stephen. “The Taming of a Shrew and the Theories: Or, ‘Though This Be Badness, yet There Is Method in’t’.” Textual Formations and Reformations. Eds. Laurie E. Maguire and, Thomas L. Berger. Newark, DE: U of Delaware P, 1998. 251-63.

Mincoff, Marco. “The Dating of The Taming of the Shrew.” English Studies 54 (1973): 554-65.

Moore, William H. “An Allusion in 1593 to The Taming of the Shrew?” Shakespeare Quarterly, Vol. 15, No. 1. (Winter, 1964): 55-60.  Available at JSTOR; click here

Muir, Kenneth. The Sources of Shakespeare’s Plays. New Haven: Yale University Press, 1978.

Neely, Carol Thomas. Broken Nuptials in Shakespeare’s Plays. New Haven: Yale University Press, 1985.

Orlin, Lena Cowen. “The Performance of Things in The Taming of the Shrew.” Yearbook of English Studies 23 (1993): 167-88.

Perret, Marion D. “Petruchio: The Model Wife.” Studies in English Literature Volume 23, No. 2 (1983): 223-35.  Available at JSTOR; click here

Ranald, Margaret Loftus. Shakespeare and His Social Context: Essays In Osmotic Knowledge And Literary Interpretation. New York: AMS Press, 1987.

Rebhorn, Wayne A. “Petruchio’s ‘Rope Tricks’: The Taming of the Shrew and the Renaissance Discourse of Rhetoric.” Modern Philology, Vol. 92, No. 3. (Feb., 1995): 294-327.  Available at JSTOR; click here

Ribner, I. “The Morality of Farce; The Taming of the Shrew.” Essays in American and English Literature Presented to Bruce Robert McElderry, Jr. Ed. Max F. Schulz, with William T. Templeman and Charles R. Metzger. Athens, Ohio: University Press 1968. ????

Roberts, Jeanne Addison. “Horses and Hermaphrodites: Metamorphoses in The Taming of the Shrew. The Shakespeare Quarterly Volume 34, No. 2 (1983): 159-71.  Available at JSTOR; click here

Rose, Mary Beth. The Expense of Spirit: Love and Sexuality in English Renaissance Drama. Ithaca, NY: Cornell University Press, 1988.

Rutter, Carol. Clamorous Voices: Shakespeare’s Women Today. London: Women’s Press, 1988.

Rutter, Carol. “Kate, Bianca, Ruth, and Sarah: Playing the Woman’s Part in The Taming of the Shrew.” Shakespeare’s Sweet Thunder: Essays on the Early Comedies. Ed. Michael J. Collins. Newark : University of Delaware Press, 1997

Rutter, Carol. “Looking at Shakespeare’s Women on Film.” The Cambridge Companion to Shakespeare on Film. Ed. Russell Jackson. Cambridge, UK and New York: Cambridge University Press, 2000. 241-260.

Saccio, Peter. “Shrewd and Kindly Farce.” Shakespeare Survey 37 (1984): 33- 40.

Sears, Jayne. “The Dreaming of The Shrew.” Shakespeare Quarterly, Vol. 17, No. 1. (Winter, 1966): 41-56.  Available at JSTOR; click here

Seronsy, Cecil C. “‘Supposes’ as the Unifying Theme in The Taming of the Shrew.” Shakespeare Quarterly 14 (963: 15-30.  Available at JSTOR; click here

Shroeder, John W. “The Taming of a Shrew and The Taming of the Shrew: A Case Reopened.” Journal of English and Germanic Philology 57 (1958): 424-42.

Slights, Camille Wells. “The Raw and the Cooked in The Taming of the Shrew.” Journal of English and Germanic Philology Volume 88, No. 2 (1989): 168-89.  Sloan, LaRue Love. “‘Caparisoned like the Horse’: Tongue and Tail in Shakespeare’s The Taming of the Shrew.Early Modern Literary Studies: A Journal of Sixteenth- and Seventeenth-Century English Literature. 10:2 (2004 Sept), p. 24 paragraphs. Electronic publication.

Thomas, Sidney. “A Note on the Taming of the Shrew.” Modern Language Notes, Vol. 64, No. 2. (Feb., 1949): 94-96.  Available at JSTOR; click here

Thompson, Ann, and Sasha Roberts, eds. Women Reading Shakespeare, 1660-1900 : an Anthology of Criticism. Manchester, UK and New York, NY: Manchester University Press ; St. Martin’s Press, 1997.

Tillyard, E. M. “The Fairy-tale Element in The Taming of the Shrew.” Shakespeare, 1564-1964; a Collection of Modern Essays by Various Hands. Ed. Edward A. Bloom. Providence, Brown University Press, 1964. ????

Wallis, Lawrence B. Fletcher, Beaumont & Company: Entertainers to the Jacobean Gentry. Morningside Heights, NY: King’s Crown Press, 1947.

Wayne, Valerie. “Refashioning the Shrew.” Shakespeare Studies 17 (1985): 159-87.

Wentersdorf, Karl. “The Authenticity of The Taming of the Shrew.” Shakespeare Quarterly, Vol. 5, No. 1. (Jan., 1954): 11-32.  Available at JSTOR; click here

Wentersdorf, Karl. “The Original Ending of The Taming of the Shrew: A Reconsideration.” Studies in English Literature 18 (1978): 201-215.  Available at JSTOR; click here Zajko, Vanda. “Petruchio is ‘Kated’: The Taming of the Shrew and Ovid.” Shakespeare and the Classics. Eds. Charles Martindale and A. B. Taylor. Cambridge, England: Cambridge UP, 2004. 33-48.  Zhu, Mei. “Shakespeare’s Taming of the Shrew and the Tradition of Screwball Comedy.” Comparative Literature and Culture: A WWWeb Journal, Vol. 6, No. 1 (2004 Mar), p. 17 paragraphs. Electronic publication.


ON STAGE AND ON SCREEN:

Crocker, Holly A. “Affective Resistance: Performing Passivity and Playing A-Part in The Taming of the Shrew.” Shakespeare Quarterly, Vol. 54, No. 2 (2003 Summer): 142-59.  Available at Project Muse; click here

Dessen, Alan. “The tamings of the shrews: rescripting the First Folio.” Chapter 8 of Rescripting Shakespeare: The Text, the Director, and Modern Productions. Cambridge: Cambridge University Press, 2002. 185-208.

Holmes, Martin. Shakespeare and his Players. New York: Scribner, 1972.

Levin, Richard. “Women in the Renaissance Theatre Audience.” Shakespeare Quarterly, Vol. 40, No. 2. (Summer, 1989): 165-174.  Available at JSTOR; click here

The London Stage, 1660-1800; a Calendar of Plays, Entertainments & Afterpieces, Together with Casts, Box-receipts and Contemporary Comment. Compiled from the Playbills, Newspapers and Theatrical Diaries of the Period, Vols. 1-5. Carbondale: Southern Illinois University Press, 1960-79.

Manvell, Roger. Shakespeare and the Film . South Brunswick ; New York: Barnes, 1979.

McMillin, Scott. “Casting for Pembroke’s Men: The Henry VI Quartos and The Taming of A Shrew. Shakespeare Quarterly, Vol. 23, No. 2. (Spring, 1972): 141-159.  Available at JSTOR; click here

Odell, George C.D. Shakespeare from Betterton to Irving . New York: Scribner’s Sons, 1920.

Sage, Lorna. “The Shrew’s Revenge.” The Times Literary Supplement, 19 May 1978, page #???

Shaw, George Bernard. “The Taming of the Shrew.” Shaw on Shakespeare: an Anthology of Bernard Shaw’s Writings on the Plays and Production of Shakespeare. Ed. Edwin Wilson. New York and London: Applause, 2002.

Shurgot, Michael W. “From Fiction to Reality: Character and Stagecraft in The Taming of the Shrew.” Theatre Journal 33 (1981): 327-40.

Smith, Amy L. “Performing Marriage with a Difference: Wooing, Wedding and Bedding in The Taming of the Shrew.” Comparative Drama, Vol. 36, Nos. 3-4 (2002 Fall-Winter): 289-320.

Trewin, J.C. Shakespeare on the English stage, 1900-1964; a Survey of Productions. London, Barrie and Rockliff, 1964.

Wearing, J. P. The London stage, 1890-1899: A Calendar of Plays and Players. Metuchen, N.J.: Scarecrow Press, 1976.

Wearing, J. P. The London stage, 1900-1909: A Calendar of Plays and Players. Metuchen, N.J.: Scarecrow Press, 1976.

Wearing, J. P. The London stage, 1910-1919: A Calendar of Plays and Players. Metuchen, N.J.: Scarecrow Press, 1976.

Wearing, J. P. The London stage, 1920-1929: A Calendar of Plays and Players. Metuchen, N.J.: Scarecrow Press, 1976.

Wearing, J. P. The London stage, 1930-1939: A Calendar of Plays and Players. Metuchen, N.J.: Scarecrow Press, 1976.

Wearing, J. P. The London stage, 1940-1949: A Calendar of Plays and Players. Metuchen, N.J.: Scarecrow Press, 1976.

Winter, William. Shakespeare on the Stage; First Series. New York, B. Blom 1969.

Winter, William. Shakespeare on the Stage; Second Series. New York, B. Blom 1969.

Winter, William. Shakespeare on the Stage; Third Series. New York, B. Blom 1969.

 

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