Baragona’s Medieval Drama Bibliography

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Primary Sources

  • Block, K.S., ed. Ludus Coventriae or The Plaie Called Corpus Christi. EETS.ES 120. Oxford: Oxford University Press, 1922; rptd. 1960.
  • Cawley, A.C., ed. The Wakefield Pageants in the Towneley Cycle. Manchester: Manchester University Press, 1958. (contains only plays attributed to the Wakefield Master)
  • Deimling, H. and J.B. Matthews, eds. The Chester Plays. EETS.ES 62 and 115. Oxford: Oxford University Press, 1892 and 1916; rptd. 1926, 1935 and 1959.
  • Eccles, Mark. The Macro Plays: The Castle of Perseverance, Wisdom, Mankind. EETS.OS 262 London: Oxford UP, 1969.
  • Furnivall, F.J. The Digby Plays. New Shakespeare Society, 1882; rptd. EETS.ES 120. Oxford: Oxford University Press, 1896; rptd. 1930, 1960.
  • Pollard, Alfred W. English Miracle Plays, Moralities, and Interludes: Specimens of the pre-Elizabethan Drama. Oxford: Clarendon Press, 1909
  • Rose, Martial, ed. and trans. The Wakefield Mystery Plays. New York: Norton, 1961.
  • Smith, Lucy Toulmin, ed. The York Plays. Oxford: Oxford University Press, 1885; rptd. 1963.

Secondary Sources

  • Alford, John A., ed. From Page to Performance: Essays in Early English Drama. East Lansing: Michigan State University Press, 1995.
  • Axton, Richard. European Drama of the Early Middle Ages. Pittsburgh: University of Pittsburgh Press, 1974.
  • Beadle, Richard. The Cambridge Companion to Medieval English Theatre. Cambridge [England]; New York, N.Y.: Cambridge University Press, 1994.
  • Bevington, David M. From Mankind to Marlowe; Growth of Structure in the Popular Drama of Tudor England. Cambridge, Harvard University Press, 1962.
  • Briscoe, Marianne G. and John C. Coldewey, eds. Contexts for Early English Drama Bloomington, IN: Indiana University Press, 1989.
  • Brockett, Clyde W., et al. The Saint Play in Medieval Europe: Papers. Clifford Davidson, ed. Kalamazoo, Mich.: Medieval Institute Publications, Western Michigan University, 1986.
  • Campbell, Josie P. “Farce as Function in the Wakefield Shepherd’s Plays.” Chaucer Review 14, 1980: 336-43.
  • Campbell, Josie P. “The Idea of Order in the Wakefield Noah. Chaucer Review 10, 1975.: 76-86.
  • Cargill, Oscar. Drama and Liturgy. New York: Columbia University Press, 1930.
  • Cawley, A. C., Marion Jones, Peter F. McDonald and David Mills, eds. The Revels History of Drama in English, Vol. 1. Clifford Leech and T. W. Craik, general eds. London: Methuen; New York: distributed by Harper and Row Publishers, Barnes and Noble Import Division, 1983.
  • Chambers, E. K. The Mediaeval Stage. Oxford: The Clarendon Press, 1903.
  • Clopper, Lawrence M. Drama, Play, and Game: English Festive Culture in the Medieval and Early Modern Period. University of Chicago Press, 2001.
  • Collier, Richard J. Poetry and Drama in the York Corpus Christi Play. Hamden, Conn.\: Archon Books, 1978, 1977.
  • Cox, John D. The Devil and the Sacred in English Drama, 1350-1642. Cambridge: Cambridge University Press, October 17, 2000.
  • Cox, John D., and David Scott Kastan, eds. A New History of Early English Drama. New York: Columbia University Press, 1997.
  • Craig, Hardin. English Religious Drama of the Middle Ages. London, 1955.
  • Davidson, Clifford, C.J. Gianakaris, and John H. Stroupe, eds. The Drama of the Middle Ages: Comparative and Critical Essays. New York, N.Y.: AMS Press, 1982.
  • Davidson, Clifford. From Creation to Doom: the York Cycle of Mystery Plays. New York: AMS Press, 1984.
  • Davidson, Clifford, and John H. Stroupe, eds. Iconographic and Comparative Studies in Medieval Drama. Kalamazoo, Mich.: Medieval Institute Publications, Western Michigan University, 1991.
  • Davidson, Clifford. Technology, Guilds, & Early English Drama. Kalamazoo, MI: Medieval Institute Publications, 1996.
  • Denny, Neville. Medieval Drama. London: Edward Arnold; New York: Crane Russak, 1973.
  • Diller, Hans-Jürgen. The Middle English Mystery Play: a Study in Dramatic Speech and Form. Frances Wessels, trans. Cambridge [England]; New York: Cambridge University Press, 1992.
  • Edminster, Warren. The Preaching Fox: Festive Subversion in the Plays of the Wakefield Master. London: Routledge, 2005.
  • Elliott, John R. Playing God: Medieval Mysteries on the Modern Stage. Toronto: University of Toronto Press, 1988.
  • Enders, Jody. The Medieval Theater of Cruelty: Rhetoric, Memory, Violence. Ithaca, N.Y.: Cornell University Press, 1999.
  • Enders, Jody. Rhetoric and the Origins of Medieval Drama. Ithaca: Cornell University Press, 1992.
  • Epp, Garrett P. J. “Noah’s Wife: The Shaming of the ‘Trew.'” In Domestic Violence in Medieval Texts.. Eve Salisbury, Georgiana Donavin, and Merrall Llewelyn Price, Eds. Gainesville, FL: UP of Florida, 2002. 223-41.
  • Epp, Garrett P. J. “Towneley: Recycled Plays.”, posted January 8, 2002.
  • Epp, Garrett P. J. “The Towneley Plays, or, The Hazards of Cycling.” Research Opportunities in Renaissance Drama 32 (1993), 121-150.
  • Farnham, Willard. The Medieval Heritage of Elizabethan Tragedy. Oxford: Blackwell, 1956.
  • Frank, Grace.The Medieval French Drama. Oxford: Clarendon Press, 1954.
  • Gardiner, Harold C., S.J. Mysteries’ End: An Investigation of the Last Days of the Medieval Religious Stage. New Haven: Yale University Press, 1946; rptd. 1967.
  • Gardner, John. The Construction of the Wakefield Cycle. Carbondale and Edwardsville: Southern Illinois University Press, 1974.
  • Hardison, O. B. Christian Rite and Christian Drama in the Middle Ages: Essays in the Origin and Early History of Modern Drama. Baltimore: The Johns Hopkins Press, 1965.
  • Helterman, Jeffrey. Symbolic Action in the Plays of the Wakefield Master. Athens: University of Georgia Press, 1981.
  • Hodges, Laura, and Adelaide Bennett. “‘Noe’s Wife’: Type of Eve and Wakefield Spinner and ‘Recalcitrant Wife’ in the Ramsey Abbey Psalter.” In Equally in God’s Image: Women in the Middle Ages. Julia Bolton Holloway, Constance S. Wright, and Joan Bechtold, eds). New York: Peter Lang, 1990: 30-45.
  • Jack, Ronald D. S. Patterns of Divine Comedy: a Study of Mediaeval English Drama. Cambridge [England]; Wolfeboro, N.H.: D.S. Brewer, 1989.
  • Johnston, Alexandra F., and Wim Hüsken, eds. English Parish Drama. Amsterdam; Atlanta, GA: Rodopi, 1996.
  • Johnston, Alexandra F. “The Feast of Corpus Christi in the West Country.” Early Theatre 6.1 (2003): 15-34.
  • Kretzmann, Paul E. The Liturgical Element in the Earliest Forms of the Medieval Drama: with Special Reference to the English and German Plays. Minneapolis: University of Minnesota, 1916.
  • Knight, Alan E. Aspects of Genre in Late Medieval French Drama. Manchester: Manchester University Press, 1983.
  • Kolve, V. A. The Play Called Corpus Christi. Stanford, Calif.: Stanford University Press, 1966.
  • Kretzmann, Paul E. The Liturgical Element in the Earliest Forms of the Medieval Drama: with Special Reference to the English and German Plays. Minneapolis: University of Minnesota, 1916.
  • Kroll, Norma, “Power and Conflict in Medieval Ritual and Plays: The Re-Invention of Drama.” Studies in Philology 102.4 (2005): 452-83.
  • Muir, Lynette R. The Biblical Drama of Medieval Europe. Cambridge; New York: Cambridge University Press, 1995.
  • Nicoll, Allardyce. Masks, Mimes and Miracles; Studies in the Popular Theatre. London: G. C. Harrap, 1931.
  • Palmer, Barbara D. “Recycling ‘The Wakefield Cycle’: The Records.” Research Opportunities in Renaissance Drama 41 (2002), 88-130.
  • Palmer, Barbara D. “‘Towneley Plays’ or ‘Wakefield Cycle’ Revisited.” Comparative Drama. 21 (4) Winter 1987-1988: 318-48.
  • Paterno, Salvatore. The Liturgical Context of Early European Drama. Potomac, Md.: Scripta Humanistica, 1989.
  • Potter, Robert. The English Morality Play: Origins, History, and Influence of a Dramatic Tradition. London, 1975.
  • Prosser, Eleanor. Drama and Religion in the English Mystery Plays, A Re- evaluation. Stanford: Stanford University Press, 1961.
  • Richardson, Christine, and Jackie Johnston. Medieval Drama. New York: St. Martin’s Press, 1991.
  • Salter, F.M. Medieval Drama in Chester. Toronto: University of Toronto Press, 1955.
  • Schell, Edgar. “The Limits of Typology and the Wakefield Master’s Processus Noe.” Comparative Drama. 25 (2) Summer 1991: 168-87.
  • Scoville, Chester N. Saints and the Audience in Middle English Biblical Drama. Toronto: University of Toronto Press, December 3, 2004.
  • Simon, Eckehard, ed. The Theatre of Medieval Europe: New Research in Early Drama. Cambridge [England]; New York: Cambridge University Press, 1991.
  • Spinrad, Phoebe S. The Summons of Death on the Medieval and Renaissance English Stage. Columbus: Ohio State University Press, 1987.
  • Stevens, John E. Words and Music in the Middle Ages: Song, Narrative, Dance, and Drama, 1050-1350. Cambridge [Cambridgeshire]; New York: Cambridge University Press, 1986.
  • Stevens, Martin. Four Middle English Mystery Cycles: Textual, Contextual, and Critical Interpretations. Princeton, N.J.: Princeton University Press, 1987.
  • Sticca, Sandro. The Latin Passion Play. Albany: State University of New York Press, 1970.
  • Sticca, Sandro. The Medieval Drama. Albany: State University of New York Press, 1972.
  • Stratman, Carl Joseph. Bibliography of Medieval Drama. 2d ed., rev. and enl. New York: F. Ungar, 1972.
  • Taylor, Jerome and Alan H. Nelson, eds. Medieval English Drama: Essays Critical and Contextual. Chicago, 1972.
  • Travis, Peter W. Dramatic Design in the Chester Cycle. Chicago: University of Chicago Press, 1982.
  • Twycross, Meg, ed. Festive Drama: Papers from the Sixth Triennial Colloquium of the International Society for the Study of Medieval Theatre, Lancaster, 13-19 July, 1989. Cambridge; Rochester, NY: D.S. Brewer, 1996.
  • Tydeman, William. The Theatre in the Middle Ages. Cambridge: Cambridge University Press, 1978.
  • Vince, Ronald W., ed. A Companion to the Medieval Theatre. New York: Greenwood Press, 1989.
  • Wickham, Glynne. Early English Stages, 1300 to 1660. London: Routledge and Paul; New York: Columbia University Press, 1959-1972.
  • Wickham, Glynne. The Medieval Theatre. London: Weidenfeld and Nicolson, 1974.
  • Williams, Arnold. The Drama of Medieval England. East Lansing: University of Michigan Press, 1961.
  • Woolf, Rosemary. The English Mystery Plays. Berkeley: University of California Press, 1972.
  • Witt, Elizabeth A. Contrary Marys in Medieval English and French Drama. New York: P. Lang, 1995.
  • Young, Karl. The Drama of the Medieval Church. Oxford: The Clarendon Press, 1933.

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